A couple of weeks ago, we talked about the basics of how to use samples without getting sued. Now that we’ve covered the basics of how copyright relates to your work as a DJ, we can delve into the more complex issue of how to remix songs legally.
Creating a remix is a much more complex legal issue than simply using a sample in one of your songs. Why? When you create a remix, you’re creating what’s legally called a “derivative work.”
When you make a remix, you’re not creating an entirely new work, since you’re basing it off previously recorded material, and you’re not creating a cover version either, since remixing implies that you’ll fundamentally change the way the original song sounds. In essence, you’re combining two legal entities – the original song and your new, remixed version – to create a sort of hybrid entity called a derivative work.
In order to record a derivative work, you technically need to obtain permission from the rights holders of the original work – namely the artist or label who owns the master recording, as well as whoever owns the publishing side of the song (usually a publishing company, or in some cases, the artist themselves). Because of this, official remixes are much easier to pull off legally than unofficial or “bootleg” remixes.
What constitutes an “official” remix? Usually this means either the artist or label has directly contacted you and asked you to remix a song they own, or you’re participating in some sort of remix contest where the owner of the original work has released stems online and asked people to submit their own remixes.
As long as you’re creating an official remix, the likelihood of you running into legal trouble is pretty slim (although it’s always good to keep a written record of any communication about the agreement, just in case.) Where official remixes get more tricky, however, is in determining who will hold the copyright to the derivative work that you create.
When you record a remix, you’re usually involving at least three different rights holders – the owner of the master recording, the owner of the publishing side of the recording, and yourself. In order to simply things, many artists or labels will simply pay DJs a flat fee up front in exchange for creating the remix. This usually makes everything easier for all parties involved, as splitting several different royalty streams three or more ways can be an accounting nightmare. (If you are planning on participating in some sort of royalty sharing agreement, however, make sure you’re registered with all of the appropriate performance rights organizations to ensure you’ll be able to collect the royalties that are owed to you).
The hardest part of learning how to remix songs legally is learning to safely navigate the world of bootleg remixes. These are the remixes many DJs make on their own, without permission from any of the original copyright holders.
Technically speaking, any remix made without the written consent of the original rights holders is an infringement of copyright law, so beware when making bootleg remixes that you’re willingly putting yourself in harm’s way.
In some cases, those accused of creating infringements can cite the Fair Use law, which was put in place to encourage innovation by creating certain exceptions to copyright laws. Usually, Fair Use means that you’re not devaluing the original work in any way, and you’re using the work in an innovative way that either builds on the original work, or can be seen as some sort of commentary on it.
Unfortunately, it’s impossible to tell without taking the matter to court what will constitute Fair Use, so if you want to be safe, it’s probably best to stay away from bootleg remixes altogether. Using the Fair Use defence is also an “affirmative” type of defence, which means essentially that you’re guilty until proven innocent, and not the other way around, so it can be a tricky defence to use in a legal situation.
How to Remix Songs the Safe Way
Keep in mind that the issues discussed here don’t apply when you’re playing live remixes; for reasons discussed in the previous post, a live performance is often the best place to make use of your sampling and remixing skills.
Want to improve your live remixing skills? Check out this free live remix tutorial video that DJ Kenya put together for us. You can also sign up at SpinAcademy.com for instant access to more video lessons like this one.
Hopefully, this article has served as a good primer on how to remix tracks legally. Remember, it’s always best to do your research when it comes to copyright issues, and when in doubt, play it safe.
To wrap up this series, we’ve got a new post coming your way in a couple of weeks that talks about one of the best aspects of copyright law – getting paid for your original music.
If you follow DJs like Diplo or Deadmau5 on Twitter, you may get the impression that mastering social media for DJs is the best thing you can do to build your DJ career. Spending a lot of time on Twitter, Instagram, Tumblr, Facebook, and other social media sites has become increasingly popular with DJs today, especially those from the younger generation. So how much of a difference does your social media strategy really make? Depending on whom you ask, social media for DJs is either the secret sauce for mainstream success, or a colossal waste of time.
How Much Does Social Media Presence Matter for DJs?
Many of today’s top DJs have legions of followers across a variety of social media channels, and likely invest a great deal of time and/or money into keeping their followers up. So does that mean that you need to tweet 50 times a day if you want to become a successful DJ? According to the numbers, apparently not.
A study released at the 2013 International Music Summit tracked the frequency of Twitter posts of 14 of the world’s top DJs. Then they compared the frequency of tweets to the number of followers each DJ had. You might think that those who tweeted the most would have the most followers, but that’s not what the study found.
While David Guetta was one of the least active DJs on Twitter, with only a few tweets per day, he had by far the most followers in the group (as of May 2013 he had over 9 million Twitter followers). On the other side of the equation, Diplo was by far the most active on Twitter, with over 30 tweets per day, but only had about 1 million followers. Then of course there’s Daft Punk, who don’t even have a Twitter account, but still manage to earn an average of $225,000 per show.
So does social media for DJs really matter? Based on the stats, it seems that there isn’t any real correlation between the frequency of social media posts and the number of followers one has. And for that matter, there’s no real correlation between the number of followers a DJ has and how much money they make either.
Is It Worth the Effort?
So what’s the best strategy for taking your DJ career to the next level? If you’ve already mastered the art of creating mashups, beatmatching, mixing in key, remixing, entertaining a crowd, and everything else a great DJ is expected to do, then sure, maybe spending a bit more time on Facebook could help you career. If, on the other hand, you’re not the best DJ you could possibly be, then you’d probably benefit more from building your skills than building your followers.
Of course, social media for DJs can be a great way to get the word out about gigs, promote your music, and ultimately build some buzz about your DJ brand. So while it may not help you much to tweet as often as Diplo, ignoring social media altogether won’t help you much either (unless you’re Daft Punk). So what’s the answer? For most DJs, the best social media strategy is to focus on quality, not quantity.
In the coming months on the blog we’ll talk about some social media strategies for DJs that will help you get more followers without having to spend every hour of every day tweeting, posting to Facebook, taking Instagram photos, blogging, and otherwise wasting time, so you can focus on what’s most important – honing your craft and making great music.
Looking for the best way to hone your craft online? Try out a membership to Spin Academy today for only $19.95 per month – we offer in-depth video tutorials on every aspect of what it takes to play great music and become a successful DJ.